Culture & Values: Michael Haneke and Wislawa Szymborska Essay

Texts reflect the nicety and set of their periods by move overing and addressing perspectives of the composers on the comes of the context. The numbers The turn back and the fount by Wislawa Szymborska and the Austrian put down 71 Fragments of a Chronology of rail substance up by Michael Haneke complete this by exemplify issues in mid-nineties family much(prenominal)(prenominal) as the increase influence of media and the segmentation of social chat.The lay off and the Beginning is a Polish rime by Wislawa Szymborska which captures a cont revokes aftermath on its innocent citizens and how, in time, both(prenominal) the struggle and its origins ar forgotten. It gum olibanum shows how the values of a country or confederacy whitethorn change everyplace time as the views and opinions of its citizens change.The overall tonicity of the poem is sick and bitter, with both squ ar away references and poetical allusions to ending throughout. The poem endure be r endered into ii parts the rootage focusing on construct and the arcminute focusing on the fading of memories with the acquittance of time.In the initiatory part, the third and quarter stanzas highlight the citizens perspectives, utter(a) through references to construct on a more(prenominal) than little cuticle, Someone must(prenominal)iness glaze a window, rehang a door. Szymborska addresses the detail that we atomic number 18 shown the push of war on a much big scale and highlights the importance of such small, almost terrestrial tasks that ar ask in the help of rebuilding a country. In turn, this wad be seen as a microcosm for the larger personal effects of war on a country, such as the nations economic constancy and global connections both of which became more and more classic in the 1990s, with issues such as globalisation and consumerism having profound adjoins on the cosmea.Szymborska as well as addresses the issue of the increase imp f ar of m edia in the 1990s. The opening move lines allude to the intelligence service media and how it subsumes such sad typesetters cases into clichd headlines and sound-bytes. We, as viewing audience, automatically impress that the devastating effects of war would be righted and our minds are without delay foc utilize on the next article. Szymborska highlights the line of merchandise between this surmisal and actually having to get hold ofwith the rebuilding in the line Things drug ab drop straighten themselves up after all. She continues in the fifth stanza with the line Photogenic its non, wryly commenting on the scopophilia of corporation in the 1990s. She in addition highlights the prejudicial, shallow and sensationalist qualities of the media with its attraction towards military force preferably than rebuilding with the line exclusively the cameras have remaining for some other war.Towards the end of the poem, Szymborska addresses the loss of familiarity with each generation. She is hitherto again commenting on the values of her troupe on the arrested development with the future, resulting in our forgetting the distinguished heretoforets of the past events from which we must learn rather than repeat, particularly in the last stanza. The experience of the event has essentially faded into as little as nothing. In billet to the imagery utilize before, the tone suggested here is more relaxed, as seen with the words stretched out. However, the lines in either case carry dark, negative undertones with allusions to death mortal must be stretchedgazing at the clouds, exhibit that as memories fade, we are liable to irritate the same mis simulates again.Likewise, the Austrian bourgeon 71 Fragments of a Chronology of take a chance (71 Fragments) by Michael Haneke offers a critique of Austrias stiff family and apprisevasss the planetary sectionalization of colloquy and understanding in a world with increasing engineering science and changing values. put up in the 1990s, it alike takes the media to task for its desensitizing role in rescript. The pictorial matter is found on the intelligence service item of a bank pip by a 19-year old, who then kills himself.Haneke uses the picture palace to depict what he himself says is a cross-section(prenominal) of society. He exemplifies the disruption and degradation of human beings interpersonal communication inside our burnish, despite the emergence of technologies in the 1990s which allowed us to communicate more effectively. By structuring the film into 71 fragments, Haneke splits up the narrative, reinforcing the theme of craziness and the dislocation of interpersonal communication. This fragmentation is in any case visually portray through the jigsaw-like publisher game. Part-way through the film, a student fails to work on the puzzle tip to an outburst of anger, augur his final exam act of military force.Haneke has in addition used subtl e film techniques to add to the intellect of a breakdown of communication. The camera is forever and a day positioned in such a way that makes the earshot retrieve detached from the characters. or else than connecting emotionally with the characters, the audience is made to analyse them, hence reflecting the shivery state which our society has assumed with changing values. The characters themselves are not named, allowing them to become spokesperson of types within society. The use of media is also present throughout the film with Haneke cover the progressively invasive front end of media within society as values change and earthly concern becomes more proficient and industrialised. By reiterate the same articles at the end with the embedding of the films event as another story, Haneke comments on how the media subsumes any disturbance into the even surface of society and integrates it into the unending rain cats and dogs of trivialised information.The film also serv es a instructive purpose, as Haneke highlights and criticises the fulgent use of force in Hollywood action films, adage that his films are mean as controversial statements against the American set down moving-picture show and its dis-empowerment of the spectator. The explosion of violence in the final pellet is abrupt, with the gunshots seeming harsh and cold and the cries of agony of the characters chilling. The victims are not portrayed, thus adding a awareness of ambiguity as to who the casualties actually are the characters or the viewers for appreciating violence.The long take following this scene also tests the audiences patience, showing the grueling adjoin of blood pooling around a body, allowing the answerer to reflect upon the tragic events which have scantily taken place. Haneke also challenges the news medias desensitising role on individuals and society, as seen with the assorted stories on the conflicts in Northern Ireland and Sarajevo, which are ironic ally juxtaposed against news of Michael Jackson, whose beseeching seems almost clownish in comparison.An synopsis of the poem The dying and the Beginning by Wislawa Szymborska and the film 71 Fragments by Michael Haneke reveals the changing values and grow of the 1990s. The texts highlight the breakdown of communication and the increasing importance of media within a society which is becomingincreasingly technological and thus, can be seen as a objurgation of our own, slightly more advanced culture. Thus, they are examples of texts which reflect the culture and values of the era in which they are composed.Works CitedSzymborska, Wislawa. The End and the Beginning (Poem). Retrieved from http//www.threepennyreview.com/samples/szymborska_su97.html.Haneke, Michael. 71 Fragmente einer Chronologie des Zufalls (Film). Released in 1994.